Amie is teaching me how to do blackout poetry. We are both working with a page, copied from The Secret Garden, and creating different poems from the same text. The idea is to “black out” the words or word fragments you don’t want to use and then create a poem with the shape of what’s left. Have you ever done this before? I didn’t know about the world of Blackout Poetry until Amie showed me a google search of so many examples out there, both visually and word wise. Creating poetry from existing words on a page is such a different way to spend time with literature. I’m finding it fascinating. I could spend hours doing this sort of creative work if Wallace wasn’t dismantling the entire house behind me . . . doing his own version of blackout housework, I suppose!
The colors seem especially brilliant this year with all the rain and overcast skies.
More so than any season, in October I feel I’m like going out into a new landscape every morning.
I find that I want to spend as much time as I can outside, even in the rain.
I want to tell you about reaching up
into the apple tree
to pick a wild apple,
when a shower came down from the leaves
and a drop fell on the corner of my right eye
and rolled down my face —
a single tear.
in the sage
after nighttime revelations,
headaches and sick toddlers,
rain for days,
cold and wet and lovely
so many gifts outside
beckoning us to come
“You make it too easy”
Should I reject “too easy,” I ask;
should I stay inside, withholding,
rather than walk into the wet, wild world
calling with rain?
my desk with little hands
and rose petals
because I want to remember writing here
at Old Gousty
with a view of the woods
Mary Oliver by my side
and rose petals
from roses Grandmommy brought me
and brought me again.
candles for night writing
and an old photo of Maude Louise
(my childhood Airedale)
all of this waiting for me
after Wallace falls asleep
and rain is drumming on the roof
quietly luring me
to my desk